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CD816300 Philippe Jaroussky, countertenor in Amsterdam 2013
Product Description
CD816300 Philippe Jaroussky, countertenor in Amsterdam 2013
Last track of CD 1 is an interview with Jaroussky
Philippe Jaroussky, countertenor in Amsterdam
Venice Baroque Orchestra Conductor: Andrea Marcon
Among other things:
F.M. Veracini- Ouverture nr. 6 in Bes Porpora- Aria 'Mira in cielo' (uit 'Arianna in Nasso') Porpora- Aria 'Si pietoso il tuo labbro' (uit 'Semiramide riconosciuta') Vivaldi- Concert in F, RV 538 Porpora- Aria 'Nel giā bramoso petto' (uit 'Ifigenia in Aulide') Porpora- Aria 'Come nave in ria tempesta' (uit 'Semiramide d´Assiria') Porpora- Aria 'Dall'amor piu sventurato' (uit 'Orfeo') Porpora- Aria 'Le limpid'onde' (uit 'Ifigenia in Aulide') Geminiani- Concerto grosso in d 'naar Sonate op. 5 nr. 12 van A. Corelli (La follia)' Porpora- Aria 'Alto Giove' (uit 'Polifemo') Porpora- Aria 'Nell'attendere il mio bene' (uit 'Polifemo')
Live from the Concertgebouw, Amsterdam
October 20, 2013
Last track of CD 1 is an interview with Jaroussky
Philippe Jaroussky, countertenor in Amsterdam
Venice Baroque Orchestra Conductor: Andrea Marcon
Among other things:
F.M. Veracini- Ouverture nr. 6 in Bes Porpora- Aria 'Mira in cielo' (uit 'Arianna in Nasso') Porpora- Aria 'Si pietoso il tuo labbro' (uit 'Semiramide riconosciuta') Vivaldi- Concert in F, RV 538 Porpora- Aria 'Nel giā bramoso petto' (uit 'Ifigenia in Aulide') Porpora- Aria 'Come nave in ria tempesta' (uit 'Semiramide d´Assiria') Porpora- Aria 'Dall'amor piu sventurato' (uit 'Orfeo') Porpora- Aria 'Le limpid'onde' (uit 'Ifigenia in Aulide') Geminiani- Concerto grosso in d 'naar Sonate op. 5 nr. 12 van A. Corelli (La follia)' Porpora- Aria 'Alto Giove' (uit 'Polifemo') Porpora- Aria 'Nell'attendere il mio bene' (uit 'Polifemo')
Live from the Concertgebouw, Amsterdam
October 20, 2013
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.