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CD864300 Barry : The Importance of Being Earnest. Nancy, 17 March 2013.
Product Description
CD864300 Barry : The Importance of Being Earnest. Nancy, 17 March 2013.
Soirée lyrique. 20 avril 2013 Nancy. Opéra national de Lorraine, 17 mars 2013. Gerald Barry (1952- The Importance of Being Earnest (L'importance d'être Constant) Opéra-comique en trois actes (2010) Livret du compositeur d'après la pièce éponyme d'Oscar Wilde. Créé en version concert au Walt Disney Concert Hall de Los Angeles le 7 avril 2011 Chad Shelton, ténor (John Worthing) Philip Addis, baryton (Algernon Moncrieff) Ida Falk Winland, soprano (Cecily Cardew) Wendy Dawn Thompson, mezzo-soprano (Hon. Gendolen Fairfax) Diane Montague, mezzo-soprano (Miss Prism) Steven Beard (Reverand Canon Chasuble) Jose Luis Barreto (Lane/Merriman) Alan Ewing, basse (Lady Bracknell) Choeur de l'Opéra National de Lorraine Orchestre symphonique et lyrique de Nancy Tito Muñoz, Direction musicale Mise en scène : Sam Brown Broadcast : France-Musique, 20 April 2013
Soirée lyrique. 20 avril 2013 Nancy. Opéra national de Lorraine, 17 mars 2013. Gerald Barry (1952- The Importance of Being Earnest (L'importance d'être Constant) Opéra-comique en trois actes (2010) Livret du compositeur d'après la pièce éponyme d'Oscar Wilde. Créé en version concert au Walt Disney Concert Hall de Los Angeles le 7 avril 2011 Chad Shelton, ténor (John Worthing) Philip Addis, baryton (Algernon Moncrieff) Ida Falk Winland, soprano (Cecily Cardew) Wendy Dawn Thompson, mezzo-soprano (Hon. Gendolen Fairfax) Diane Montague, mezzo-soprano (Miss Prism) Steven Beard (Reverand Canon Chasuble) Jose Luis Barreto (Lane/Merriman) Alan Ewing, basse (Lady Bracknell) Choeur de l'Opéra National de Lorraine Orchestre symphonique et lyrique de Nancy Tito Muñoz, Direction musicale Mise en scène : Sam Brown Broadcast : France-Musique, 20 April 2013
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We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.