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CD82261 Alban Berg's LULU from Salzburg
Product Description
CD82261 Alban Berg's LULU from Salzburg
Salzburg Felsenreitschule, Aug 1, 2010 Patricia Petibon, Lulu Tanja Ariane Baumgartner, Countess Geschwitz Cora Burggraaf, A Theatrical Dresser Cora Burggraaf, A High-School Boy Cora Burggraaf, A Groom Pavol Breslik, The Painter Pavol Breslik, A Negro Michael Volle, Dr. Schön, editor-in-chief Michael Volle, Jack Thomas Piffka, Alwa, Dr. Schön's son, a composer Franz Grundheber, Schigolch, an old man Thomas Johannes Mayer, An Animal Tamer Thomas Johannes Mayer, An Athlete Heinz Zednik, The Prince Heinz Zednik, The Manservant Andreas Conrad, The Marquis Martin Tzonev, The Theater Manager Martin Tzonev, The Banker Emilie Pictet, A Fifteen-year-old Girl Cornelia Wulkopf, Her Mother Astrid Monika Hofer, A Woman Artist Simon Schnorr, A Journalist Gerhard Peilstein, The Professor of Medicine Gerhard Peilstein, The Professor Gerhard Peilstein, The Police Officer James Cleverton, A Servant
Vienna Philharmonic Marc Albrecht, Conductor
Salzburg Felsenreitschule, Aug 1, 2010 Patricia Petibon, Lulu Tanja Ariane Baumgartner, Countess Geschwitz Cora Burggraaf, A Theatrical Dresser Cora Burggraaf, A High-School Boy Cora Burggraaf, A Groom Pavol Breslik, The Painter Pavol Breslik, A Negro Michael Volle, Dr. Schön, editor-in-chief Michael Volle, Jack Thomas Piffka, Alwa, Dr. Schön's son, a composer Franz Grundheber, Schigolch, an old man Thomas Johannes Mayer, An Animal Tamer Thomas Johannes Mayer, An Athlete Heinz Zednik, The Prince Heinz Zednik, The Manservant Andreas Conrad, The Marquis Martin Tzonev, The Theater Manager Martin Tzonev, The Banker Emilie Pictet, A Fifteen-year-old Girl Cornelia Wulkopf, Her Mother Astrid Monika Hofer, A Woman Artist Simon Schnorr, A Journalist Gerhard Peilstein, The Professor of Medicine Gerhard Peilstein, The Professor Gerhard Peilstein, The Police Officer James Cleverton, A Servant
Vienna Philharmonic Marc Albrecht, Conductor
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.