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CD10605 Strauss Ariadne auf Naxos 2004 Buenos Aires
Product Description
CD10605 Strauss Ariadne auf Naxos 2004 Buenos Aires
Richard Strauss, ARIADNE AUF NAXOS Teatro Avenida, Buenos Aires, 11-18-2004 Buenos Aires Lírica)
Prelude Haushofmeister – Gui Gallardo Musiklehrer – Marcelo Lombardero [now artistical director of the Teatro Colón!] Komponist – Adriana Mastrángelo Tenor – Carlos Bengolea Offizier – Juan González Cueto Tanzmeister – Enrique Folger Perückenmacher – Sergio Carlevaris Lakai – Alejandro Meerapfel Zerbinetta – Natasha Tupín Primadonna - Virginia Correa Dupuy Harlekin – Juan González Cueto Scaramuccio – Carlos Sampedro Truffaldin – Walter Schwarz Brighella – Rubén Della Rossa
Opera Ariadne – Virgina Correa Dupuy Bacchus – Carlos Bengolea Najade – Eleonora Sancho Dryade – Mónica Sardi Echo – Carla Filipcic Holm Zerbinetta – Natasha Tupín Harlekin – Marcelo Lombardero Scaramuccio – Carlos Sampedro Truffaldin – Walter Schwarz Brighella – Enrique Folger
Camerata Bariloche
Director Fernando Hasaj
Richard Strauss, ARIADNE AUF NAXOS Teatro Avenida, Buenos Aires, 11-18-2004 Buenos Aires Lírica)
Prelude Haushofmeister – Gui Gallardo Musiklehrer – Marcelo Lombardero [now artistical director of the Teatro Colón!] Komponist – Adriana Mastrángelo Tenor – Carlos Bengolea Offizier – Juan González Cueto Tanzmeister – Enrique Folger Perückenmacher – Sergio Carlevaris Lakai – Alejandro Meerapfel Zerbinetta – Natasha Tupín Primadonna - Virginia Correa Dupuy Harlekin – Juan González Cueto Scaramuccio – Carlos Sampedro Truffaldin – Walter Schwarz Brighella – Rubén Della Rossa
Opera Ariadne – Virgina Correa Dupuy Bacchus – Carlos Bengolea Najade – Eleonora Sancho Dryade – Mónica Sardi Echo – Carla Filipcic Holm Zerbinetta – Natasha Tupín Harlekin – Marcelo Lombardero Scaramuccio – Carlos Sampedro Truffaldin – Walter Schwarz Brighella – Enrique Folger
Camerata Bariloche
Director Fernando Hasaj
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We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.