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CD10416 Smetana Verkaufte Braut 1954 Frankfurt
Product Description
CD10416 Smetana Verkaufte Braut 1954 Frankfurt
Bedrich Smetana
DIE VERKAUFTE BRAUT (The Barted Bride in German)
Komische Oper in drei Akten TEXT: Karel Sabina (Deutsche Übersetzung: Kurt Honolka)
URAUFFÜHRUNG: 30. Mai 1866, Prag (Interimstheater)
KRUSCHINA, ein reicher Bauer: Karl Kümmel (Bariton) LUDMILA, seine Frau: Helena Bindhart (Sopran) MARIE [MARENKA], beider Tochter: Elfriede Trötschel (Sopran) MICHA, Grundbesitzer: August Heimpel (Bass) HATA, seine Frau: Anneliese Schloßhauer (Mezzosopran) WENZEL [VASEK], beider Sohn: Willy Müller (Tenor) HANS [JENIK], Michas Sohn aus erster Ehe: Kurt Wolinski (Tenor) KECAL, Heiratsvermittler: Heinz Rehfuss (Bass) DIREKTOR einer Wandertruppe: Carl Ebert (Tenor) ESMERALDA,Tänzerin: Hella Rosenthal (Sopran) Ein "INDIANER" der Truppe: Ernst Altmann (Tenor) Dorfbewohner, Komödianten, Buben
Frankfurter Opernchor Frankfurter Opernhaus- und Museumsorchester Conductor: Walter Goehr
rec. Senckenbergmuseum, Frankfurt am Main, 1954
Bedrich Smetana
DIE VERKAUFTE BRAUT (The Barted Bride in German)
Komische Oper in drei Akten TEXT: Karel Sabina (Deutsche Übersetzung: Kurt Honolka)
URAUFFÜHRUNG: 30. Mai 1866, Prag (Interimstheater)
KRUSCHINA, ein reicher Bauer: Karl Kümmel (Bariton) LUDMILA, seine Frau: Helena Bindhart (Sopran) MARIE [MARENKA], beider Tochter: Elfriede Trötschel (Sopran) MICHA, Grundbesitzer: August Heimpel (Bass) HATA, seine Frau: Anneliese Schloßhauer (Mezzosopran) WENZEL [VASEK], beider Sohn: Willy Müller (Tenor) HANS [JENIK], Michas Sohn aus erster Ehe: Kurt Wolinski (Tenor) KECAL, Heiratsvermittler: Heinz Rehfuss (Bass) DIREKTOR einer Wandertruppe: Carl Ebert (Tenor) ESMERALDA,Tänzerin: Hella Rosenthal (Sopran) Ein "INDIANER" der Truppe: Ernst Altmann (Tenor) Dorfbewohner, Komödianten, Buben
Frankfurter Opernchor Frankfurter Opernhaus- und Museumsorchester Conductor: Walter Goehr
rec. Senckenbergmuseum, Frankfurt am Main, 1954
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We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.