Product Description
CD85466 Terradelles (1713-1751) - Sesostri Re d'Egitto
Terradelles (1713-1751) - Sesostri Re D'eggito -
Hi friends,
This is a World Premiere after 256 years of the opera Sesostri, re d'Egitto
composed by
DOMÈNEC TERRADELLAS (Barcelona 1713 - Roma 1751)
First performed in Roma, Teatre delle Dame, in 1751
in Barcelona, Teatre de la Santa Creu, 1754
Llibretto: Apostolo Zeno/Pietro Pariati
performed by
REIAL COMPANYIA ÒPERA DE CAMBRA
Juan Bautista Otero, director
Sesostri: Sunhae Im, soprano
Nitocri: Alexandrina Pendatchanska, soprano
Amasi: Kenneth Tarver, tenor
Artenice: Ditte H. Andersen, soprano
Fanete: Tom Randle, tenor
Orgonte: Raffaella Milanesi, soprano
This is a live concert from the AUDITORI DE BARCELONA, Sala Oriol Martorell, on
the 11 DE DESEMBRE DE 2010 at 20h30. Live Recording from Digital Radio Broadcast
(DAB) by Catalunya Musica dd 11.12.10, encoded in MP3 at CBR 320kbps 16bit 48
KHz.
I have gathered the following info about Domènec Tarradaelles:
Domènec Terradellas (1713–1751) was born in Barcelon. The first studied was with
Francisco Valls of Barcelona Cathedral, but moved in 1732 to Naples, where he
studied with Francesco Durante at the Poveri di Gesù Cristo conservatory. His
subsequent output was split between sacred choral works and operas, both noted
for an arresting use of contrasts and innovation. Rousseau reported in his 1753
Lettre sur la musique française that a few years earlier Terradellas had
expressed shame over his motets, with their "labored, grandly careless choruses.
I loved to create noise; now I try to make music," or so Rousseau claims he
said, though the writer was part of a lengthy tradition that put their own
sentiments into the mouths of others, after the latter conveniently died. How
Terradellas did die has never been satisfactorily explained, though the old
standby—murder by a musical rival, in this case, Nicolò Jommelli, who supposedly
had the body dumped in the Tiber—has been completely discounted as the usual
rumor mill at work.
His first opera, Astarto, was written in Rome in 1739. His best known work,
Merope, was also composed there in 1743. In 1746 he went to London where he was
in charge of the opera at the King's Theatre for a season. However he was not
successful and apparently soon left, eventually finding his way back to Turin
for which he produced a Didone abbandonata in 1750, and Rome where his Sesostri
re d'Egitto was a considerable success in 1751.
It is possible Terradellas uttered the sentiments Rousseau echoes, if not the
words. Certainly his operas quest far after noveleffects.the composer displays
great interest in the galant, espousing the thencurrent taste for Italianate
simplification. He sometimes employs active bass lines, but elsewhere reduces
them to reiterative rhythmic figures on the strings. Sighing figures, graceful
melodiesof short compass, and simplified harmonies point to the influence of
Hasse rather than the more advanced idiom of Jommelli. Yet again, Terradellas is
capable of chromatic harmonies and swift harmonic movement, with abrupt changes
in color, dynamics, and meter that hearken back to the Baroque.His output, he
appears to have thrived on frequent touches of the unexpected that in many
cases—it must be said—substituted for thematic distinction or dramatic
appropriateness
The product you receive will be better quality than what you see and hear below.