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CD9851 Rossini Cenerentola 2008 Paris
Product Description
CD9851 Rossini Cenerentola 2008 Paris
Dear Members, Ecco the second volet of the creazy Giornata della Bartoli This is my friend good 's recording at first balcon. My own will follow ASAP ! ;-)
Gioacchino Rossini (1792-1868)
LA CENERENTOLA, Ossia la bontà in trionfo
Dramma giocoso en deux actes (1817) Sur un livret de Jacopo Ferretti Basé sur le conte Cendrillon de Charles Perrault Et les livrets de Charles-Guillaume Etienne (pour un opéra de Nicolas Isouard) Et Francesco Fiorini (pour un opéra de Stefano Pavesi)
Cecilia Bartoli, Angelina Sen Guo, Clorinda Liliana Nikiteanu, Tisbe Antonio Siragusa, Don Ramiro Bruno Pratico, Dandini Carlos Chausson, Don Magnifico Làszlo Polgar, Alidoro
Orchestre et Chœur de l’Opéra de Zurich Kelly Thomas, clavecin Adam Fischer, direction musicale
Version concertante, mise en espace Production de l’Opéra de Zurich
Salle Pleyel Paris Lundi 24 mars 2008 à 15 heures La Folle Journée Malibran, épisode II.
Dear Members, Ecco the second volet of the creazy Giornata della Bartoli This is my friend good 's recording at first balcon. My own will follow ASAP ! ;-)
Gioacchino Rossini (1792-1868)
LA CENERENTOLA, Ossia la bontà in trionfo
Dramma giocoso en deux actes (1817) Sur un livret de Jacopo Ferretti Basé sur le conte Cendrillon de Charles Perrault Et les livrets de Charles-Guillaume Etienne (pour un opéra de Nicolas Isouard) Et Francesco Fiorini (pour un opéra de Stefano Pavesi)
Cecilia Bartoli, Angelina Sen Guo, Clorinda Liliana Nikiteanu, Tisbe Antonio Siragusa, Don Ramiro Bruno Pratico, Dandini Carlos Chausson, Don Magnifico Làszlo Polgar, Alidoro
Orchestre et Chœur de l’Opéra de Zurich Kelly Thomas, clavecin Adam Fischer, direction musicale
Version concertante, mise en espace Production de l’Opéra de Zurich
Salle Pleyel Paris Lundi 24 mars 2008 à 15 heures La Folle Journée Malibran, épisode II.
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.