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CD90136 Arias for Farinelli Hallenberg/Rousset Bergen 5/11
Product Description
CD90136 Arias for Farinelli Hallenberg/Rousset Bergen 5/11
Arias for Farinelli Bergen, Grieghalle 26 May 2011 Broadcast
Broschi: Son qual nave ch'agitata (Artaserse) Broschi: Ombra fedele anch`io (Idaspe) J. C. Bach: Sinfonía Op. 6 nº 6 Porpora: Si pietoso il tuo labro (Semiramide riconosciuta) Giacomelli: Già presso al termine (Adriano in Siria) Porpora: Alto Giove (Polifemo) Giacomelli: Passagier che incerto (Adriano in Siria) Hasse: Overture to Cleofide Leo: Che legge spietata (Catone in Utica) Leo: Cervo in bosco (Catone in Utica)
Encores: Händel: Lascia ch'io pianga (Rinaldo) Händel: Sta nell'Ircana (Alcina) Porpora: In braccio a mille furie (Semiramide risconosciuta)
Ann Hallenberg -- mezzo
Les Talens Lyriques Christophe Rousset -- conductor
This concert proves once and for all (as if any proof was necessary) that today's great virtuosa of the Baroque repertoire isn't Genaux or Kermes or even Bartoli but Swedish mezzo Ann Hallenberg. In the eleven (!!) arias included on this program, she sings some of the most fearsomely difficult music ever written, as well as some of the most meltingly beautiful, and does them all superbly.
PLEASE CLICK BELOW FOR A SAMPLE OF THIS RECORDING
Arias for Farinelli Bergen, Grieghalle 26 May 2011 Broadcast
Broschi: Son qual nave ch'agitata (Artaserse) Broschi: Ombra fedele anch`io (Idaspe) J. C. Bach: Sinfonía Op. 6 nº 6 Porpora: Si pietoso il tuo labro (Semiramide riconosciuta) Giacomelli: Già presso al termine (Adriano in Siria) Porpora: Alto Giove (Polifemo) Giacomelli: Passagier che incerto (Adriano in Siria) Hasse: Overture to Cleofide Leo: Che legge spietata (Catone in Utica) Leo: Cervo in bosco (Catone in Utica)
Encores: Händel: Lascia ch'io pianga (Rinaldo) Händel: Sta nell'Ircana (Alcina) Porpora: In braccio a mille furie (Semiramide risconosciuta)
Ann Hallenberg -- mezzo
Les Talens Lyriques Christophe Rousset -- conductor
This concert proves once and for all (as if any proof was necessary) that today's great virtuosa of the Baroque repertoire isn't Genaux or Kermes or even Bartoli but Swedish mezzo Ann Hallenberg. In the eleven (!!) arias included on this program, she sings some of the most fearsomely difficult music ever written, as well as some of the most meltingly beautiful, and does them all superbly.
PLEASE CLICK BELOW FOR A SAMPLE OF THIS RECORDING
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