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CD87432 Bach/ Mendelssohn - Hengelbrock BR 2011
Product Description
CD87432 Bach/ Mendelssohn - Hengelbrock BR 2011
February 25, 2011, Herkulessaal of the Munich residency
Johann Sebastian Bach "Schleicht, spielende Wellen", Kantate für Soli, Chor und Orchester, BWV 206
Dorothee Mields, Sopran Elisabeth Kulman, Mezzosopran Steve Davislim, Tenor James Rutherford, Bariton
Basso continuo: Helmut Veihelmann, Violoncello Heinrich Braun, Kontrabass Eberhard Marschall, Fagott Peter Kofler, Cembalo und Orgel
Felix Mendelssohn Bartholdy "Die erste Walpurgisnacht" für Soli, Chor und Orchester, op. 60
Elisabeth Kulman, Mezzosopran Steve Davislim, Tenor James Rutherford, Bariton
Solisten aus dem Chor: Bernhard Schneider, Tenor Wolfgang Klose, Bass
Chor des Bayerischen Rundfunks Choreinstudierung: Robert Blank Symphonieorchester des Bayerischen Rundfunks Dirigent: Thomas Hengelbrock
from digital cable live broadcast excellent sound, mp3 320 kb
PLEASE CLICK BELOW FOR A SAMPLE OF THIS RECORDING
February 25, 2011, Herkulessaal of the Munich residency
Johann Sebastian Bach "Schleicht, spielende Wellen", Kantate für Soli, Chor und Orchester, BWV 206
Dorothee Mields, Sopran Elisabeth Kulman, Mezzosopran Steve Davislim, Tenor James Rutherford, Bariton
Basso continuo: Helmut Veihelmann, Violoncello Heinrich Braun, Kontrabass Eberhard Marschall, Fagott Peter Kofler, Cembalo und Orgel
Felix Mendelssohn Bartholdy "Die erste Walpurgisnacht" für Soli, Chor und Orchester, op. 60
Elisabeth Kulman, Mezzosopran Steve Davislim, Tenor James Rutherford, Bariton
Solisten aus dem Chor: Bernhard Schneider, Tenor Wolfgang Klose, Bass
Chor des Bayerischen Rundfunks Choreinstudierung: Robert Blank Symphonieorchester des Bayerischen Rundfunks Dirigent: Thomas Hengelbrock
from digital cable live broadcast excellent sound, mp3 320 kb
PLEASE CLICK BELOW FOR A SAMPLE OF THIS RECORDING
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USA Telephone (404) 200-4776
We sell only opera recordings. The recordings are sent to you in paper sleeves with no tray card or inserts, just the raw discs with printed labels. These recordings are of nonprofessional quality that are in the public domain. The quality of these old opera recordings is not very good and they are meant for collectors and educational purposes only. Most of them are 30 or 40 years old, so they might be blurry, colors faded, and not sound very good, but they might not be available elsewhere. Please note that most of our recordings do not have tracks, they have 1 long track per disc.